A few people asked for a copy of what I'd written, so I thought I'd share it here:
First, a little about me for folks who don’t know who I am – I spent the first decade or so of my career as a professional bassoonist. I’ve performed with a number of orchestras across the country, and I spent 5 seasons as a tenured member of the Knoxville Symphony down in East Tennessee.
In 2016, I got the opportunity to host and produce content for WUOT-FM in Knoxville, and that eventually led me to my CURRENT position as national host and producer of classical music at American Public Media in Saint Paul, MN.
I share a bit of my story with you so that we all can think a little about the idea of opportunity, and what that means for us.
Everyone here – everyone in this room, at some point, was given an opportunity – we don’t have much control over what the opportunities ARE most times, but we DO have control over what we do with those opportunities.
Each and every person playing at the Gateways Festival this week was given the opportunity to do so, and with opportunities given, there are opportunities NOT given.
Over 200 Gateways hopefuls were actually turned away this year, simply due to what the festival is capable of handling at this point – this is where YOU come in!
Whether you’re here performing with the festival, or if you’re here as a guest to observe what’s going to happen today and for the rest of this week, it is YOUR responsibility to make the most of this opportunity.
When you go grab a coffee later, or lunch, or a drink, or whatever, tell everyone why you’re here! Tell people that this thing called classical music NEVER belonged to white Europeans and their ancestors, and I’m gonna say that again – THIS THING CALLED CLASSICAL MUSIC NEVER BELONGED TO WHITE EUROPEANS AND THEIR ANCESTORS – it belongs to ALL OF US.
Tell people that this thing called classical music has enriched the lives of so many people of color, specifically BLACK people, and that you want to share that enrichment with them – enrichment through a deeper understanding of our relationship with this artform, both historically, AND contemporarily.
Tell people that the power, the equity, and the sustenance of Gateways depends wholly on them!
Ultimately, this is all bigger than classical music – we have to support, enrich, and vie for each other in EVERY way we can, and supporting and promoting Gateways is a very specific, but very important way to do that.
The late great James Baldwin once said: To be a Negro in this country and to be relatively conscious is to be in a rage almost all the time.
I’m in rage.
I’m in rage that I can’t see US ALL here. I’m in rage that there are black musicians who NEED this experience – folks who NEED this level of fellowship and family- folks whose only outlet in classical music is the result of some white - serving diversity initiative, who don’t get to experience this. You should be in rage too, and I hope that rage, and the NERVE will inspire you to do whatever you can to make sure this festival doesn’t just survive, but grows – we aren’t all free, until we are all free.
Now at this point in career I’ve done enough public radio membership drives to know that not all of you will answer my call, but I wanna offer just one more thought to you that I hope will inspire you:
There are those of you who will continue to be a part of the oppression of black musicians, and there are those of US, who will be a part of the LIBERATION of black musicians - period.
...which group are you a part of?