This season's "Love and Hip-Hop" took place in Atlanta, a city that people tend to call the capitol of the south. Atlanta is a hot bed for black culture of all types, so the show definitely had relevance there. It chronicled and followed the lives of a few hip-hop artists (some better known than others) and displayed the challenges of business, pleasure, and how the two mix together. Some of the artists chose to keep the two completely separate, others couldn't seem to determine the difference between the two, but one couple in particular had the two entities completely integrated into their lives, and recognized the challenge in doing so.
Rasheeda Buckner (better known as simply, Rasheeda) is a Georgia born female rapper who began her solo career around the year 2000. She met her husband (and now manager) Kirk Frost around the same time, and have been working and living together since. As an Indie artist, Rasheeda was portrayed on the show as needing to branch out to sell more albums by another producer, and to eventually become more "main-stream" so that her fan base can grow beyond the niche she attracts today in Atlanta. Part of doing this, however, would involve dropping her current manager. This took a toll, it seemed, on their relationship, as she considered how much "larger" her career could be under new management, because her husband was simply not a fan of the idea of being fired by his wife. That coupled with the day to day challenges of being a wife and mother put her under a lot of pressure, but she ultimately decided against switching management. She and her husband renewed their wedding vows on their 12th anniversary, and seem to be doing very well.
I was drawn to this particular story so much because it seemed to be the most real. Looking at it from a classical perspective, most of us don't have managers, or are signed to record labels, but rather belong to orchestras that pay our bills. Unfortunately, orchestras are unmoving and based in cities which prohibit the ability to move and live exactly where you want all the time. That along with the nature of studying with different teachers and going to specific schools makes it very difficult, I think, to be in a relationship with someone who doesn't have the ability (or desire) to pick up and move every few years. Just as Rasheeda's career and relationship were mixed, so is mine. Andy isn't my manager, of course, but my having to be away from Memphis a lot is a strain. I'm very fortunate to be with someone who "gets it", and who will stick with me until we can finally settle down in one place and live our happily ever after, and that's something musicians need to look for when seeking a relationship. Many classical musicians are married to their music first, and that's fine, but if you're interested in cuddling with something other than your instrument at night, you really have to consider the relationship between love and a music career. Sacrifices have to be made on both sides, but with patience, communication, and a lot of faith it'll all work out in the end.
Like Rasheeda, I was at a crossroad when I had to make my final decision to go to Detroit - furthering my career vs. giving 100% to my relationship. Andy and I have found a balance between the two, and I'm so thankful to be with someone who I know will be there "at the end of the day" (frequently used quote on the reunion show), even after I put my bassoon in its case for the last time. When seeking a relationship (or entering into one with a musician), understand that there are going to be challenges, and that the strength of that relationship is what will make it last through the trials of love and "hip-hop".